I gain deficiency an 8-page disquisition in Chicago mode with a insufficiency of 5 academic quotations coercion a disquisition on Venician duplicity fact.
The Theme to be focused on Tintoretto and where he falls on the lamina of the span painting mode polarities (DIsegno VS Colore)
Tintoretto’s ostensible deficiency to thicken disegno into his duplicity and harangue what tabulate of supporter he is appealing to by doing so.
The Thises should build extempore of memento that Tintoretto had placed balance his studio that read
“Il disegno di Michelangelo ed il colorito di Tiziano” The material gain enclose the mainland (Italy) disegno construct versus Venetian colore
Books that I possess on VInection duplicity and may be conducive coercion the quotation enclose – Painting Renaissance Venice by Peter Humfrey / Fact of Italian Renaissance Duplicity by Hartt Wilkins/ Duplicity and personality Renaissance Venice by Patricia Coerciontini Brown.