Virginia Woolf vs. Orhan Pamuk Aykut Can TURKMEN Petroleum – Gas University of Ploiesti Abstract: The lean of this article is to collate and mark the interest of “current of intelligence”. Overover, I mellow to pomp the (dis)similarities among these couple considerable writers. In this article, control Orhan Pamuk, I focused on the oddlight which is named “Sessiz Ev (Silent House)”. Key control: current of intelligence, full-knowing object of representation, third singular account, percussion of the duration, subsists’ reflections and division. The performance of Current of Intelligence Current of intelligence was portraitured by these couple writers entirely.
In the oddlight of Virginia Woolf, “The Waves” and in the oddlight of Orhan Pamuk, “Sessiz Ev (Silent House)”, there are full-supply of stances in these tomes. Control “Sessiz Ev”, at the preface of the tome a essence’s intelligence, named Recep, is communicated extraneously details and the descriptions by Orhan Pamuk. Pamuk wanted the readers to possess trickery and to behobsolete the intelligence of a singular ironically. As in the diatribe of Virginia Woolf “New-fashioned Fable” she describes vitality as an uninterrupted pomper of numberless atoms and to-boot she marks that a odd-fashioned writer must proceedings the atoms as they gravitate upon the intellect in which they gravitate.
This conviction aids us to decipher current of intelligence. Pamuk shared the selfselfidentical proposal with Woolf. Pamuk preferred to surrender an percussion to the reader rather than summarizing what the essence behold, gard and do or reporting from the further in disengaged sentences relish Virginia Woolf. In “The Waves”, Woolf is arduous to surrender a over realistic paint of psychology than had continually precedently been presented in fable. She was the most considerable writer control the fable and control the current of intelligence. Current of intelligence is the most considerable technique was portraitured by Woolf to admittance her works such as The Waves.
The Percussion of the Subsists & Duration in the oddlights The oddlights are the reflections of the writers’ subsists in-great-measure. Control these couple oddlights, Sessiz Ev and The Waves, I can fullege that Woolf and Pamuk wrote their admit subsists barring fable. Pamuk said that he had written his admit vitality and the essences were his marchs on the vitality. Woolf to-boot reflected her vitality to her oddlight, The Waves. She to-boot wrote her experiences with the aid of her admit essences in the tome. Occasion “The Waves” was gate situate in single day and the full marchs of single day, “Sessiz Ev” took situate in single week.
This media that Pamuk portraitured the duration uninferential barring Woolf portraitured the duration so inferential. Woolf portraitured the duration relish a vitality and each march of the day is the segregate of a vitality. Control stance, the preface of the oddlight is restraintthcoming waking and this duration of the day represents the childhood. Barring Pamuk doesn’t do this he prefers to portraiture the duration hanker. Pamuk portraitures the duration with the clock barring Woolf doesn’t portraiture the duration as it is. In “Sessiz Ev” there is numerous stances relish “It’s ten to eleven”, “It’s nine” and “It’s five spent nine”. In “The Waves”, Woolf doesn’t do as Pamuk does.
She prefers to fullege the duration by descriptions rather than fullegeing the duration undeviatingly. Woolf describes essence at the preface of each segregate of the tome. They are named as interludes. These interludes aid the reader to comprehend the duration and the march of the day and vitality. She portraitures the control to fullege the duration relish: “sunrise”, “noon”, “evening”, “night” and “midnight”. The division is another most considerable object control Woolf. Woolf portraitures “individual” peculiarly in The Waves. Rhoda claims to “hate full details of the singular vitality” and succeeding fulleges, “I must go through the masquerade of the singular.
I must set-on-foot when you fearlessness at me with your progeny, your poems, your chilblains or whatcontinually it is you do and admit. Barring I’m not attributable attributable attributable deluded. ” She pomped us her conviction environing division with these sentences. She portraitures the promise “individuality” to betoken the universely and trifling concerns of vitality rather than originality. Woolf persistently identifies her essences full contemporaneously throughout The Waves in a habit that is acceptably inferivized rather than realistic, and the six friends grace facets of singularalities and visions of the universe precedently and further any being as herd.
Woolf deciphers in single missive the essences’ commission in the tome relish; “The six essences were reputed to be single. I’m getting obsolete myself – I shfull be fifty proximate year; and I end to arrive-at over and over how trying it is to infer singleself into single Virginia; equable though the exceptional Virginia in whose collectiveness I subsist control the weight is violently fix-deeplyible to full sorts of disunited arrive-atings. Therefore, I wanted to surrender the sentiment of continuity” (Letters IV, 397) Here, with the aid of the missive from Woolf, I can fullege that the tome was altogether environing herself and her experiences in her vitality.
Occasion Pamuk is effective 1980s in Turkey, he tells full-supply of stories fixed on his admit stories. He surrenders stances from his spent and his admit family’s spent occasion communication this tome. The Object of Representation, Account and Reputation Third singular account is the most portraitured edict in the 20th date. Woolf and Pamuk portraitured the third singular account in these couple oddlights. Becaportraiture of the interest of current of intelligence they portraitured full-knowing object of representation, becaportraiture the best fashion to pomp the sensible was the third singular account. Third singular narrators are usually full-knowing- halt further of the equablets and they answer lower the controlm of narrating tone.
The full-knowing has infinite familiarity. That’s why they are exceedingly trustworthy and very suggestive. They possess liberty mode to the essence’s interior convictions and arrive-atings. In these couple oddlights, there are numerous narrators, five in “Sessiz Ev” and six in “The Waves”. The writers portraitured this skin of account to protect the subjectivity. Subjectivity was the single of the most considerable object in 20th date. Each essence tells their admit legend and this interests the object of representation of the tomes. A odd object of representation, which lets each essence express, is single of the most considerable aspects control the readers.
When the readers behobsolete that each essence fulleges the creatures environing themselves on their admit, the readers relish it, becaportraiture this pomps the balance and the division to them. They capture an utility to test the essences and to frame empathy. Pamuk wanted the readers to test them and to perceive bigwig in the tome behanker to them. He gave numerous stances from his vitality and he wanted the readers to collate with theirs. This was a cheerful rule to fix-deeply the readers. The waves are the most considerable reputation in “The Waves”.
When the essences/narrators are progeny, the fist creature that they hearkenken in the waking is the gauge of the waves. From that object the waves became the setting rattle of their day. Then, they were portraitured as the sentence of the duration. The Apple Tree, is to-boot a reputation in the tome, echoes the apple tree from the Tome of Genesis in the Bible, the outgrowth of which led Adam and Eve to familiarity and expulsion from Eden. Dilateary In my conviction, twain The Waves and Sessiz Ev are cheerful stances to 20th date. They were so fix-deeplyive tomes and calligraphic tomes.
I expected the selfselfidentical creatures from the tomes barring they shocked me. Control stance; I waited the grandmother from Sessiz Ev to decay, barring she didn’t. In fame of her Nilgun decayd. Grandmother is altogether legend and scrutinizing intellected singular. She realised anycreature and this was so diseased seat control me. Her ebon hearkent made me passionate to her. I gard the creature that Orhan Pamuk expected was this. I medium to frame the reader dilate and test the essences. I relishd The Waves rectify than the Sessiz Ev, becaportraiture it has the full aspects of the odd-fashionedism. There were some legends in the tome barring it was tolerably dirty.
Pamuk created a skin of bridge among 20th and the 21st centuries. I fix a hazard of selfselfidentical creatures in my vitality, barring I don’t relish perceiveing bigwig in the tome from my vitality. Maybe, the descriptions are so considerable control the writers barring this is to-boot a legend control me. I didn’t relish the descriptions segregate of these couple tomes. Control stance; I relishd the segregate which the puck captures situate at the preface. He goes to cinema. When the movie ends he tells the movie in six lines (in Turkish). That’s what I relishd in the tome, summarizing the equablet, movie or the vitality itself…
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